000			02817 a2200301 4500
003			BJBSDDR
005			20241007114527.0
007			ta
008			090924s2016 enk 00| 0 eng d
020			_a9781844578214
020			_a1844578216
040			_beng _cDLC
041			_aeng
050	1	4	_aPN 1993.5 _bT821s 2016
100	1		_aTriana Toribio, Núria _938389
245	1	0	_aSpanish film cultures : _bthe making and unmaking of Spanish cinema / _cNúria Triana-Toribio.
260			_aLondon : _bPalgrave on behalf of the British Film Institute, _c2016.
300			_aviii, 157 pages : _billustrations ; _c23 cm.
490	1		_3Cultural histories of cinema
504			_aIncludes bibliographical references and index.
505	0		_aIntroduction. Why academies? Film cultures Academicism : an authority over film cultures What does academicism want? When the Academia? The house is built of the stones that were available. The values and their origins Academic foundations The regime's long watch over cinema Policies and organisations for a European Spain By invitation only No free lunch. And the winner is ... The Academia's less public awards Engoyados Voyage to somewhere The big film prizes tell a story Where the tastes of audiences and academicians meet Galas Shaping the televisual spectacle from 2005 to 2011. Being different : Almodóvar and the Academia. The making of an outsider What kind of outsider is Almodóvar? Rogue males, 'bad' films and 'bad' loyalties : Santiago Segura and Álex de la Iglesia. The turn to genre When the winner does not take it all Case one : not fit for export and not fit for Goyas: Segura's Lethal crisis (2011) Case two : Academia vs. de la Iglesia and the internet. There is no such thing as a weak enemy. A severe case of cinephile anxiety The cinephile habitus Avant-garde vs. the national cinema Moments of disruption and anti-institutionalism : the case of La soledad (2007). Transatlantic Academia. What Hollywood wants ... and what it gets Tainted love : good things come from bad prizes A prize, compromise and contradictions Ideal Latin America Challenges for the Academia : the crossover Latin American film at the Goyas Hispanic transnational collaborative networks Epilogue
520			_aThe past four decades have seen the Spanish film industry rise from isolation in the 1970s to international recognition within European and World Cinema today. Exploring the cultural and political imperatives that governed this success, this book shows how Spanish film culture was deliberately and strategically shaped into its current form.
650		4	_aCine _xHistoria _zEspaña _91718
710	2		_aBritish Film Institute. _91901
830		0	_aCultural histories of cinema _917731
942			_2lcc _cBK
946			_idpf
999			_c122048 _d122048