000			03584cam a22006135i 4500
001			23705324
003			BJBSDDR
005			20250528125332.0
007			ta
008			240523s2024 nyuah 000 0 eng d
010			_a 2024939284
020			_a9781949484113 _q(hardcover)
020			_a1949484114 _q(hardcover)
035			_a(OCoLC)on1391214349
040			_aYDX _beng _erda _cYDX _dBDX _dIG# _dJQW _dQGJ _dCBY _dOCLCO _dDLC
041			_aeng
042			_alccopycat
082	0	4	_a709.04 _223
245	0	4	_aThe new television : _bvideo after television / _cedited by Rachel Churner, Rebecca Cleman, and Tyler Maxin.
246	3	0	_aVideo after television
250			_aFirst edition.
264		1	_aNew York ; _aNew Haven : _bno place press, _c2024
264		2	_aCambridge, Massachusetts ; _aLondon, England : _bMIT Press
264		4	_c©2024
300			_a520 pages : _billustrations ; _c25 cm.
336			_atext _btxt _2rdacontent
336			_astill image _bsti _2rdacontent
337			_aunmediated _bn _2rdamedia
338			_avolume _bnc _2rdacarrier
500			_aIncludes a facsimile of the book 'The new television: a public/private art', published in 1977.
504			_aIncludes bibliographical references.
520			_a"The New Television delves into the rich history of video art, reexamining the pivotal Open Circuits conference held at MoMA in 1974 and exploring its enduring relevance to today's artistic and critical practices. Open Circuits was an important event in establishing video art in American museums and articulated a range of conflicting teloses for the medium, some which materialized (like local cable television) and others that remain unrealized. The conference proceedings were published in 1977 as The New Television: A Public/Private Art, and the radical design of the book reflected the conference's utopian aims. This two-part publication includes a facsimile of the long-out-of-print conference proceedings and new essays and discussions by over a dozen scholars and artists. The new scholarly texts and previously unpublished archival documents in The New Television illuminate the network of institutional histories of video art, consider global televisual contexts and alternative critical approaches, and examine contemporary video art and its continued relevance from new perspectives."-- _cProvided by publisher.
611	2	0	_aOpen Circuits _d(1974 : _cNew York)
650		0	_aConference proceedings.
650		0	_aVideo art _y20th century _xHistory.
650		0	_aArt, Modern _y20th century _xHistory.
650		0	_aMuseum objects.
650		6	_aActes de congrès.
650		6	_aArt vidéo _y20e siècle _xHistoire.
650		6	_aArt _y20e siècle _xHistoire.
650		6	_aObjets exposés.
655		7	_aEssays. _2lcgft
655		7	_aIllustrated works. _2lcgft
655		7	_aOuvrages illustrés. _2rvmgf
700	1		_aChurner, Rachel _eeditor. _4edt _1https://id.oclc.org/worldcat/entity/E39PCjCVWtF4VqqTtVD8vp9cmq _942337
700	1		_aCleman, Rebecca _eeditor, _econtributor. _4edt _4ctb _942338
700	1		_aMaxin, Tyler _eeditor, _econtributor. _4edt _4ctb _942341
700	1	2	_aDavis, Douglas _iContainer of (work): _d1933-2014. _tThe New television : a public/private art. _938350
700	1	2	_iContainer of (work): _aSimmons, Allison. _tThe New television : a public/private art.
710	2		_aMIT Press, _edistributor. _4dst
906			_a0 _bibc _ccopycat _d2 _encip _f20 _gy-gencatlg
942			_2lcc _n0 _cBK
999			_c123627 _d123627