000 | 03025cam a22004575i 4500 | ||
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001 | 126022 | ||
005 | 20230410130551.0 | ||
008 | 160919s2016 enk b 001 0deng d | ||
035 | _a19279275 | ||
010 | _a 2016479012 | ||
015 |
_aGBB5C4881 _2bnb |
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020 |
_a9781441195906 _q(pbk.) |
||
020 |
_a1441195904 _q(pbk.) |
||
035 | _a(OCoLC)ocn926095702 | ||
040 |
_aNLE _beng _cNLE _erda _dOCLCO _dYDXCP _dOCLCF _dCCPLG _dNYP _dEYM _dLPU _dPSC _dITD _dOCLCQ _dDLC |
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041 | _aEng | ||
042 | _alccopycat | ||
050 | 1 | 4 |
_aPN 1992.7 _bT256w 2016 |
082 | 0 | 0 | _a808.22 |
100 | 1 | _aTeddern, Sue. | |
245 | 1 | 0 |
_aWriting for TV and radio : _ba writers' and artists' companion / _cSue Teddern and Nick Warburton. |
246 | 3 | _aWriting for television and radio | |
260 |
_aLondon : _bBloomsbury Academic, _c2016. |
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300 |
_axviii, 301 p. ; _c20 cm. |
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490 | 1 | _aWriters' and artists' companion | |
500 | _a"Series editors: Carole Angier and Sally Cline." | ||
504 | _aIncludes bibliographical references (pages 284-288) and index. | ||
505 | 0 | _aPart 1. Reflections and experiences. Ten landmark TV dramas and comedies ; Ten landmark radio dramas and comedies ; Horses for courses: TV, radio or both? ; Ten memorable TV and radio characters ; Notes on notes: dealing with feedback ; Having a laugh: writing comedy -- Part 2. Tips and tales, guest contributors -- Part 3. Write on, getting it right, getting it written. That's an idea: tips and techniques to get you started ; Characters: making them memorable ; The building blocks: plot and structure ; A most delicate monster, voice ; The talky bits: writing dialogue ; Hearing their dreams, the nuts and bolts of radio ; The visuals: writing for camera ; INT. desk, day ; Writing is rewriting, or what to do about drafts ; The finishing line ; Reading [+ viewing + listening] list. | |
520 |
_a"This companion offers invaluable insights and solid, practical guidance to those keen to write for TV and radio. Part 1 explores the nature of the media. It looks at the history of writing drama and comedy for radio and TV through a consideration of its key elements and some of the most successful dramas and comedies of past and present. Part 2 includes reflections and tips from award-winning writers of film, television and radio from the UK, the US and Scandinavia. Part 3 offers practical advice on technical aspects of writing for TV and radio including character development, structure and dialogue. It also gives guidance on how to deal with branches of the broadcasting industry, from agents and actors to producers and script editors"-- _cprovided by publisher. |
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650 | 0 | _aTelevision authorship. | |
650 | 0 | _aRadio authorship. | |
650 | 4 |
_aTelevisión _xGuiones. |
|
650 | 4 | _aLibretos para televisión. | |
650 | 4 | _aLibretos para radiodifusión. | |
700 | 1 | _aWarburton, Nick. | |
700 | 1 |
_aAngier, Carole, _d1943- |
|
700 | 1 | _aCline, Sally. | |
830 | 0 | _aWriters' and artists' companions. | |
942 |
_2lcc _cbk |
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946 | _advf | ||
999 |
_c76299 _d76299 |