000			01819cam a2200313 i 4500
001			127011
003			BJBSDDR
005			20231122155450.0
007			ta
008			790201s1979 msuaf b 001 0 eng
020			_a0826202772
040			_cDLC _bspa
041			_aeng
050	1	4	_aPN 1993.5 _bT439c 1979
082	0	0	_a791.43
100	1		_aThiher, Allen, _d1941- _931669
245	1	4	_aThe cinematic muse : _bcritical studies in the history of French cinema / _cAllen Thiher.
260			_aColumbia : _bUniversity of Missouri Press, _c1979.
300			_avi, 216 p., [8] leaves of plates : _bill. ; _c23 cm.
500			_aIncludes index.
504			_aBibliography: p. 207-214.
505			_a[1.] The avant-garde: The impressionist avant-garde -- Surrealism's enduring bite: Un Chien andalou -- The surrealist film: Man Ray and the limits of metaphor -- Le Sang d'un Poéte: film as orphism -- [2.] In the wake of surrealism: From Entr'acte to a Nous la Liberté: René Clair and the order of farce -- Vigo's Zéro de conduite: surrealism and the myth of childhood -- [3.] Film and society: Jean Renoir and the mimesis of history -- Prévert and Carné's Le Jour se lève: proletarian tragedy -- [4.] Existentialist moment: Bresson's Un condamné à mort: the semiotics of grace -- The existential play in Truffaut's early films -- [5.] Postmodernism: L'Année dernière a Marienbad: the narration of narration -- Postmodern dilemmas: Godard's Alphaville and Deux ou trois choses que je sias d'elle -- Afterword: Is film a language?
650		0	_aMotion pictures _zFrance.
650		4	_aPelículas cinematográficas _zFrancia _96685
650		0	_aMotion picture plays, French _xHistory and criticism.
650		4	_aObras cinematográficas _xFrancia _99432
942			_2lcc _cBK
946			_ilmm
999			_c76848 _d76848