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008 060824s2006 njua b 001 0 eng d
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020 _a074861866X
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035 _a15450288
035 _a(OCoLC)ocm65468463
035 _a(OCoLC)65468463
040 _aUKM
_cUKM
_beng
041 _aeng
043 _an-us---
050 1 4 _aPN 1993.5
_bT998a 2006
080 0 0 _a791.430973
100 1 _aTzioumakis, Yannis,
_d1970-
_924017
245 1 0 _aAmerican independent cinema :
_ban introduction /
_cYannis Tzioumakis.
260 _aNew Brunswick, New Jersey :
_bRutgers University Press,
_cc2006.
300 _axvi, 302 pages :
_billustrations ;
_c24 cm.
504 _aIncludes bibliography (pages 285-292) and index.
505 0 _aIntroduction: Problems of Definition and the Discourse of American Independent Cinema; Part 1: American Independent Cinema in the Studio Years (mid-1920s-late 1940s); Chapter 1: Independent Filmmaking in the Studio Era: Tendencies within the Studio System; Case Study: James Cagney at United Artists: Johnny Come Lately, Blood on the Sun and The Time of Your Life; Chapter 2: Independent Filmmaking in the Studio Era: The Poverty Row Studios (1930-1950); Case Study: Charlie Chan at Monogram: Charlie Chan in the Chinese Cat; Part 2: The Transitional Years (late 1940s - late 1960s); Chapter 3: Independence by Force: The Effects of the Paramount Decree on Independent Film Production; Case Study: Stanley Kramer's Lomitas Productions and United Artists: The Defiant Ones, On the Beach and Inherit the Wind; Chapter 4: An Audience for the Independents: Expolitation Films for the Nation's Youth; Case Study: Sam Katzman and Rock Around the Clock; Part 3: Contemporary American Independent Cinema (late 1960s - present); Chapter 5: The New Hollywood and the Independent Hollywood; Case Study: John Cassavetes and Shadows; Case Study: Dennis Hopper and The Last Movie; Chapter 6: American Independent Cinema in the Age of the Conglomerates; Case Study: American International Pictures and Foxy Brown; Case Study: John Sayles and The Return of the Secaucus Seven; Chapter 7: Mini-Majors and Major Independents; Case Study: Orion Pictures, Filmhaus Productions, David Mamet and House of Games; Chapter 8: The Institutionalisation of American Independent Cinema; Case Study: Steven Soderbergh and Sex, Lies and Videotape; Case Study: Kevin Smith and Clerks; Epilogue: From Independent to 'Speciality' Cinema; Bibliography.
520 _aA substantial and insightful examination of the infrastructure of independent American cinema. This is a true advance on previous studies and deepens the reader's understanding of how independent films get made and distributed. For this reason the book will be an invaluable addition to the literature on Independent American Cinema. -- Professor Warren Buckland, Editor of The New Review of Film and Television Studies A substantial and insightful examination of the infrastructure of independent American cinema. This is a true advance on previous studies and deepens the reader's understanding of how independent films get made and distributed. For this reason the book will be an invaluable addition to the literature on Independent American Cinema.
650 0 _aIndependent filmmakers
_zUnited States
_vCase studies.
650 0 _aIndependent films
_xEconomic aspects
_zUnited States.
650 0 _aIndependent films
_zUnited States
_xHistory and criticism.
650 0 _aMotion picture industry
_zUnited States
_xHistory
_y20th century.
650 4 _aCine
_xHistoria
_zEstados Unidos
_9912
650 4 _aCineastas independientes
_zEstados Unidos
_923701
650 4 _aDirectores y productores de cine
_zEstados Unidos
_vBiografĂ­as
_911899
650 4 _aActores y actrices de cine
_xHistoria
_93205
650 4 _aCine
_xHistoria y crĂ­tica
_91863
650 4 _aCine independiente
_917882
651 4 _96959
_aHollywood (Estados Unidos)
_xHistoria
856 4 1 _3Table of contents only
_uhttp://www.loc.gov/catdir/toc/fy0906/2008425334.html
942 _2lcc
_cBK
946 _aNBM
999 _c76866
_d76866