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008			060824s2006 njua b 001 0 eng d
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035			_a(OCoLC)ocm65468463
035			_a(OCoLC)65468463
040			_aUKM _cUKM _beng
041			_aeng
043			_an-us---
050	1	4	_aPN 1993.5 _bT998a 2006
080	0	0	_a791.430973
100	1		_aTzioumakis, Yannis, _d1970- _924017
245	1	0	_aAmerican independent cinema : _ban introduction / _cYannis Tzioumakis.
260			_aNew Brunswick, New Jersey : _bRutgers University Press, _cc2006.
300			_axvi, 302 pages : _billustrations ; _c24 cm.
504			_aIncludes bibliography (pages 285-292) and index.
505	0		_aIntroduction: Problems of Definition and the Discourse of American Independent Cinema; Part 1: American Independent Cinema in the Studio Years (mid-1920s-late 1940s); Chapter 1: Independent Filmmaking in the Studio Era: Tendencies within the Studio System; Case Study: James Cagney at United Artists: Johnny Come Lately, Blood on the Sun and The Time of Your Life; Chapter 2: Independent Filmmaking in the Studio Era: The Poverty Row Studios (1930-1950); Case Study: Charlie Chan at Monogram: Charlie Chan in the Chinese Cat; Part 2: The Transitional Years (late 1940s - late 1960s); Chapter 3: Independence by Force: The Effects of the Paramount Decree on Independent Film Production; Case Study: Stanley Kramer's Lomitas Productions and United Artists: The Defiant Ones, On the Beach and Inherit the Wind; Chapter 4: An Audience for the Independents: Expolitation Films for the Nation's Youth; Case Study: Sam Katzman and Rock Around the Clock; Part 3: Contemporary American Independent Cinema (late 1960s - present); Chapter 5: The New Hollywood and the Independent Hollywood; Case Study: John Cassavetes and Shadows; Case Study: Dennis Hopper and The Last Movie; Chapter 6: American Independent Cinema in the Age of the Conglomerates; Case Study: American International Pictures and Foxy Brown; Case Study: John Sayles and The Return of the Secaucus Seven; Chapter 7: Mini-Majors and Major Independents; Case Study: Orion Pictures, Filmhaus Productions, David Mamet and House of Games; Chapter 8: The Institutionalisation of American Independent Cinema; Case Study: Steven Soderbergh and Sex, Lies and Videotape; Case Study: Kevin Smith and Clerks; Epilogue: From Independent to 'Speciality' Cinema; Bibliography.
520			_aA substantial and insightful examination of the infrastructure of independent American cinema. This is a true advance on previous studies and deepens the reader's understanding of how independent films get made and distributed. For this reason the book will be an invaluable addition to the literature on Independent American Cinema. -- Professor Warren Buckland, Editor of The New Review of Film and Television Studies A substantial and insightful examination of the infrastructure of independent American cinema. This is a true advance on previous studies and deepens the reader's understanding of how independent films get made and distributed. For this reason the book will be an invaluable addition to the literature on Independent American Cinema.
650		0	_aIndependent filmmakers _zUnited States _vCase studies.
650		0	_aIndependent films _xEconomic aspects _zUnited States.
650		0	_aIndependent films _zUnited States _xHistory and criticism.
650		0	_aMotion picture industry _zUnited States _xHistory _y20th century.
650		4	_aCine _xHistoria _zEstados Unidos _9912
650		4	_aCineastas independientes _zEstados Unidos _923701
650		4	_aDirectores y productores de cine _zEstados Unidos _vBiografías _911899
650		4	_aActores y actrices de cine _xHistoria _93205
650		4	_aCine _xHistoria y crítica _91863
650		4	_aCine independiente _917882
651		4	_96959 _aHollywood (Estados Unidos) _xHistoria
856	4	1	_3Table of contents only _uhttp://www.loc.gov/catdir/toc/fy0906/2008425334.html
942			_2lcc _cBK
946			_aNBM
999			_c76866 _d76866