000 | 01592cam a22003251 4500 | ||
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999 |
_c77093 _d77093 |
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003 | BJBSDDR | ||
005 | 20230410130617.0 | ||
007 | ta | ||
008 | 720612s1949 nyua b 000 0 eng | ||
020 | _a0156309203 | ||
020 | _a9780156309202 | ||
035 | _a7420515 | ||
035 | _a(OCoLC)330034 | ||
040 |
_aDLC _cODaWU _bspa |
||
041 | 1 |
_aeng _hrus |
|
042 | _apremarc | ||
050 | 1 | 4 |
_aPN 1995 _bE36f 1949 |
082 | 0 | 0 | _a791.43 |
100 | 1 |
_aEisenstein, Sergei, _d1898-1948. |
|
245 | 1 | 4 |
_aThe film form : _bessays in film / _cby Sergei M. Eisenstein ; transl. and ed. by Jay Leyda. |
260 |
_aNew York ; _aLondon : _bHarcourt Brace Jovanovich, _c[1949] |
||
300 |
_axi, 279 p. : _bill. ; _c21 cm. |
||
440 | 1 | _aA Harvest/HBJ Book | |
505 | _aThrough theater to cinema -- The unexpected -- The cinematographic principle and the ideogram -- A dialectic approach to film form -- The filmic fourth dimension -- Methods of montage -- A course in treatment -- Film language -- Film form : New problems -- The structure of the film -- Achievement -- Dickens, Griffith, and the film today -- A statement on the sound-film by Eisenstein, Pudovkin, and Alexandrov -- Notes from a director's laboratory. | ||
520 | _a"Film form draws together twelve essays written between 1928 and 1945 that demonstrate key points in the development of Eisenstein's film theory and in particular his analysis of the sound-film medium ... "--Page 4 de la couverture. | ||
650 | 0 | _aMotion pictures. | |
650 | 4 |
_aCine _920 |
|
700 | 1 |
_aLeyda, Jay, _d1910-1988. _eeditora _913647 |
|
942 |
_2lcc _cBK |