000			04054cam a2200373 i 4500
001			122076
005			20230410130623.0
008			130911s2014 caua bq 000 0 eng
035			_a17883112
010			_a 2013033458
020			_a9781615931699 (pbk.)
040			_aDLC _beng _cDLC _erda
042			_apcc
050	1	4	_aPN 1995.9 _bB361b 2014
082	0	0	_a791.430232
100	1		_aBays, Jeffrey Michael, _d1977-
245	1	0	_aBetween the scenes : _bwhat every film director, writer, and editor should know about scene transitions / _cJeffrey Michael Bays.
264		1	_aStudio City, CA : _bMichael Wiese Productions, _c[2014]
300			_axiv, 137 pages : _billustrations ; _c20 x 28 cm
520			_a"Between the Scenes delivers a fresh approach to film directing, screenwriting, and editing. once you've got your scenes planned out, this book steps in by shifting your focus to how your individual sequences and scenes connect to each other. you'll find new ways to create emotional feelings in your audience. From location choices, to character movement between scenes, to the use of music, scene transitions are where the meat is in your story, and now you'll discover a new pallet of creative possibilities. "-- _cProvided by publisher.
504			_aIncludes bibliographical references (pages 133-135).
504			_aIncludes filmography.
505	8		_aMachine generated contents note: TABLE OF CONTENTS -- Introduction -- How To Use This Book -- Looking at Films in a new Way -- From Instinct to Craft -- The Hidden Art: Why nobody notices -- 1. WHAT IS A SCENE TRANSITION? -- On the Set -- Anatomy of a Scene Transition -- Choices at the Transition -- The Life of a Scene Transition -- Six Major Transitions -- Transitions Between Sequences and Scenes -- Grab your Script -- 2. CHOOSING LOCATIONS THAT COLLIDE -- Scenequakes -- Collision with oppositions -- Sudden Absence -- Add More Drama to Boundaries -- Mental Maps -- Single Location Films -- 3. TYING YOUR EVENTS TOGETHER -- The Train -- Linking Through Similarity -- The Wright Wipe -- The Hook -- Linking Multiple Plots -- 4. EMOTIONAL PEAK: CHARACTER ON THE MOVE -- On the Move -- Looking at the Script -- Anatomy of Character at the Scene Change -- Emotional Ingredients -- To Show It or not to Show It -- If It's not in the Script -- Dialogue in Motion -- Adding Other Characters -- 5. EMOTIONAL EBB: SCENERY AND RELIEF -- Give Them a Break -- The Cinematic Ebb -- Variations in Camera Proximity -- The Audience Thinking and Feeling -- Connecting to Audience Feeling -- Uses of Scenery -- Objects, Motifs, Symbols -- Other Ways of Relief -- Storyteller's Attitude -- 6. MUSIC AND TRANSITIONS -- Silence -- Mechanical Uses of Music -- Telling the Story With Music -- Variations of Transformation Tactics -- Using Pre-Recorded Songs -- The Role of Lyrics -- 7. PUZZLING THE SCENES TOGETHER -- Tension and Release -- Scenes and their Flow -- Looking at the Script -- Deleted Scenes -- Fragmentation and Crescendo -- Intensity of Transitions -- Types of Transitional Scenes -- Bridging Them All Together -- 8. THE TIME MACHINE -- Storytelling is Abbreviation -- Ways to Show Time Manipulation -- Transitional Editing Speed -- Other Time Styles -- When not to Show Time -- Gestalt's Cousin -- 9. CASE STUDY: RIDLEY SCOTT'S GLADIATOR -- The Longest Transition Ever -- Maximus Escapes Execution -- Sleeping Through the Night -- Crosscutting To Family's Murder -- The Big reaction -- Carried to Zucchabar -- 10. TELEVISION VS. FEATURE FILM TRANSITIONS -- Film and TV Differences -- Commercial Breaks -- Multiple Plots -- The Future of Storytelling.
650		0	_aMotion pictures _xProduction and direction.
650		4	_a20160300.
650		4	_aVideo _xProducción y dirección.
650		4	_aRadio _xProducción y dirección.
650		4	_aCine _xTécnicas.
650		4	_aTelevisión _xTécnicas.
650		4	_aTelevisión _xProducción y dirección.
650		4	_aCine _xProducción y dirección.
650		4	_aSistemas analógicos electrónicos.
942			_2lcc _cbk
999			_c77272 _d77272