000			03993cam a2200385M 4500
999			_c84683 _d84683
003			BJBSDDR
005			20230410132619.0
007			ta
008			050502s1992 enk 001 0 eng d
020			_a0140174923
020			_a9780140174922
035			_a(OCoLC)ocm59951635
035			_a(OCoLC)59951635
040			_aUKV3G _cUKV3G _beng
041			_aeng
049			_aGRAL
050	1	4	_aPR 826 _bL822a 1992
082	0	0	_a823.09
100	1		_aLodge, David John, _d1935-
245	1	4	_aThe art of fiction : _billustrated from classic and modern texts / _cDavid Lodge.
260			_aLondon : _bPenguin, _c1992.
300			_axi, 240 pages ; _c20 cm.
500			_aOriginally published in the Independent on Sunday, 1991-2.
504			_aBibliography: p231-235. - Includes index.
505			_aBeginning (Jane Austen, Ford Madox Ford) The intrusive author (George Eliot, E.M. Forster) Suspense (Thomas Hardy) Teenage skaz (J.D. Salinger) The epistolary novel (Michael Frayn) Point of view (Henry James) Mystery (Rudyard Kipling) Names (David Lodge, Paul Auster) The stream of consciousness (Virginia Woolf) Interior monologue (James Joyce) Defamiliarization (Charlotte Bronte)̈ The sense of place (Martin Amis) Lists (F. Scott Fitzgerald) Introducing a character (Christopher Isherwood) Surprise (William Makepeace Thackeray) Time-shift (Muriel Spark) The reader in the text (Laurence Sterne) Weather (Jane Austin, Charles Dickens) Repetition (Ernest Hemingway) Fancy prose (Vladimir Nabokov) Intertextuality (Joseph Conrad) The experimental novel (Henry Green) The comic novel (Kingsley Amis) Magic realism (Milan Kundera) Staying on the surface (Malcolm Bradbury) Showing and telling (Henry Fielding) Telling in different voices (Fay Weldon) A sense of the past (John Fowles) Imagining the future (George Orwell) Symbolism (D.H. Lawrence) Allegory (Samuel Butler) Epiphany (John Updike) Coincidence (Henry James) The unreliable narrator (Kazuo Ishiguro) The exotic (Graham Greene) Chapters etc. (Tobias Smollett, Laurence Sterne, Sir Walter Scott, George Eliot, James Joyce) The telephone (Evelyn Waugh) Surrealism (Leonora Carrington) Irony (Arnold Bennett) Motivation (George Eliot) Duration (Donald Barthelme) Implication (William Cooper) The title (George Gissing) Ideas (Anthony Burgess) The non-fiction novel (Thomas Carlyle) Metafiction (John Barth) The uncanny (Edgar Allan Poe) Narrative structure (Leonard Michaels) Aporia (Samuel Beckett) Ending (Jane Austin, William Golding)
520			_aThe articles with which David Lodge entertained and enlightened readers of the Independent on Sunday and The Washington Post are now revised, expanded and collected together in book form. The art of fiction is considered under a wide range of headings, such as the Intrusive Author, Suspense, the Epistolary Novel, Time-shift, Magical Realism and Symbolism, and each topic is illustrated by a passage or two taken from classic or modern fiction. Drawing on writers as diverse as Henry James and Martin Amis, Jane Austen and Fay Weldon and Henry Fielding and James Joyce, David Lodge makes accessible to the general reader the richness and variety of British and American fiction. Technical terms, such as Interior Monologue, Metafiction, Intertextuality and the Unreliable Narrator, are lucidly explained and their application demonstrated. Bringing to criticism the verve and humour of his own novels, David Lodge has provided essential reading for students of literature, aspirant writers, and anyone who wishes to understand how literature works.
650		0	_aFiction _xTechnique.
650		0	_aEnglish fiction _xHistory and criticism _xTheory, etc.
650		0	_aAmerican fiction _xHistory and criticism _xTheory, etc.
650		0	_aCriticism _xTerminology.
650		4	_aNovela inglesa _xHistoria y crítica _94088
650		4	_aNovela _xHistoria y crítica _94171
650		4	_aCreación literaria, artística, etc. _xHistoria y crítica. _92310
942			_2lcc _cBK