000			05005cam a2200301 i 4500
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007			ta
008			170419s2016 enkaa 000 0 eng
020			_a9780231176675
020			_a0231176678
020			_a9780231176668
020			_a023117666X
040			_aDLC _bspa _cDLC
041	0		_aeng.
050	1	4	_aPN 1995.9 _bG762c 2016
082			_a791.436581
100	1		_aGrant, Paul Douglas.
245	1	0	_aCinéma militant : _bpolitical filmmaking and May 1968 / _cPaul Douglas Grant
260			_aLondon : _bWallflower press _c2016.
300			_aviii, 224 p. : _bill. ; _c24 cm.
505			_aAcknowledgments List of Abbreviations Introduction 1. Wildcat Strikes and Wildcat Cinema in May '68: ARC 2. Jean-Pierre Thorn: "No investigation, no right to speak" 3. Cinelutte: "Tout ce qui bouge est rouge" 4. Les groupes Medvedkine: Before and After Chris Marker 5. Of Theory and Peasants: Groupe Cinethique Conclusion Notes Filmography BibliographyI Index
520			_aThis history covers the filmmaking tradition often referred to as cinéma militant, which emerged in France during the events of May 1968 and flourished for a decade. While some films produced were created by established filmmakers, including Chris Marker, Jean-Luc Godard, and William Klein, others were helmed by left-wing filmmakers working in the extreme margins of French cinema. This latter group gave voice to underrepresented populations, such as undocumented immigrants (sans papiers), entry-level factory workers (ouvriers spécialisés), highly intellectual Marxist-Leninist collectives, and militant special interest groups. While this book spans the broad history of this uncharted tradition, it particularly focuses on these lesser-known figures and works and the films of Cinélutte, Les groupes medvedkine, Atelier de recherche cinématographique, Cinéthique, and the influential Marxist filmmaker Jean-Pierre Thorn. Each represent a certain tendency of this movement in French film history, offering an invaluable account of a tradition that also sought to share untold histories.
650		4	_aCine _920
650		4	_aCine _911385 _xAspectos políticos _zFrancia
942			_2lcc _cBK
946			_ilmm