Cultivating creativity through world films : exploring cinematic narratives featuring child protagonists / David Campos, Ericka Knudson.

By: Contributor(s): Material type: TextTextLanguage: English Publisher: Lanham, Maryland : Rowman and Littlefield, 2020Description: xxx, 195 pages ; 24 cmContent type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
Subject(s): Additional physical formats: Print version:: Cultivating creativity through world filmsDDC classification:
  • 371.33523
LOC classification:
  • LB 1044 C198c 2020
Contents:
Author's NotePrefacePart I. The Role of Film in Cultivating CreativityIntroductionBenefits of CreativityTarget AudienceWhy These FilmsStructure of the BookChapter 1: The Case for Teaching Film in the ClassroomFilms Are a Familiar Outlet for YouthYoung People Can Make Powerful Connections with FilmsYouth Rarely Have Opportunities to Study Films in SchoolChapter 2: Film as a Visual Textbook Films Can Be Used to Teach a Wide Range of ConceptsFilms Can Be Used to Spark Critical ThinkingFilms Can Be Used to Encourage Youth to Be Informed ConsumersChapter 3: Creativity in Young People's LivesDefinition of CreativityThe Creativity Gap in the ClassroomThe Need for Creative Practices in the ClassroomChapter 4: Instructional Considerations When Using FilmsCopyright Issues and Other CaveatsDesign and Delivery of Lessons About FilmsPart II. Eight World FilmsChapter 5- The Bicycle Thieves (1948)Chapter 6- The 400 Blows (1959)Chapter 7- Kes (1969)Chapter 8- Children of Heaven (1997)Chapter 9- Ma vie en rose (1997)Chapter 10- Central Station (1998)Chapter 11- Wadjda (2012)Chapter 12- Theeb (2015)References About the AuthorsIndex
Summary: The framework of this book is conceived to help teachers develop students' ability to evaluate, analyze, synthesize and interpret. The proposed activities seek to incite reflection and creativity in students, and can be used as a model for teachers in designing future lessons on other films.
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Holdings
Item type Current library Home library Collection Shelving location Call number Copy number Status Date due Barcode
Libro Libro Biblioteca Juan Bosch Biblioteca Juan Bosch Humanidades Humanidades (4to. Piso) LB 1044 C198c 2020 (Browse shelf(Opens below)) 1 Available 00000156237

Includes bibliographical references (pages 179-187) and index.

Author's NotePrefacePart I. The Role of Film in Cultivating CreativityIntroductionBenefits of CreativityTarget AudienceWhy These FilmsStructure of the BookChapter 1: The Case for Teaching Film in the ClassroomFilms Are a Familiar Outlet for YouthYoung People Can Make Powerful Connections with FilmsYouth Rarely Have Opportunities to Study Films in SchoolChapter 2: Film as a Visual Textbook Films Can Be Used to Teach a Wide Range of ConceptsFilms Can Be Used to Spark Critical ThinkingFilms Can Be Used to Encourage Youth to Be Informed ConsumersChapter 3: Creativity in Young People's LivesDefinition of CreativityThe Creativity Gap in the ClassroomThe Need for Creative Practices in the ClassroomChapter 4: Instructional Considerations When Using FilmsCopyright Issues and Other CaveatsDesign and Delivery of Lessons About FilmsPart II. Eight World FilmsChapter 5- The Bicycle Thieves (1948)Chapter 6- The 400 Blows (1959)Chapter 7- Kes (1969)Chapter 8- Children of Heaven (1997)Chapter 9- Ma vie en rose (1997)Chapter 10- Central Station (1998)Chapter 11- Wadjda (2012)Chapter 12- Theeb (2015)References About the AuthorsIndex

The framework of this book is conceived to help teachers develop students' ability to evaluate, analyze, synthesize and interpret. The proposed activities seek to incite reflection and creativity in students, and can be used as a model for teachers in designing future lessons on other films.

Description based on print version record and CIP data provided by publisher; resource not viewed.

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